A Difficult Trade-off: Freedom of Speech and Public Security during the “Hybrid War”
The reputable Denmark-based international watchdog Freemuse, which monitors the freedom of artistic expression around the globe, published its 2016 annual report, under the title "Art under Threat." One of the highlighted sentences in the report states that "Ukraine in 2016 topped the list as the worst country to practice censorship, with 557 registered acts of censorship." (1)
For an average global reader who barely knows where Ukraine is on the map and understands how its culture and media sphere function, the news might look quite scary. Especially if they happen to read elsewhere that Ukraine is run by a fascist junta that usurped power after a coup d’état and the eviction of a "democratically elected president," banned the Russian language, oppressed ethnic minorities, and killed, exiled or completely silenced disobedient journalists.
Facts and figures make sense inasmuch as they help us understand something – the broader picture, a context or a trend. Yet, what can the figure "557 registered acts of censorship" tell us about the country other than the undisputable fact that its artistic environment is far more restrictive than anybody else’s in the world? The second country on the list is Kuwait with a modest 61 cases and China comes next with 20. In contrast, Russia appears to be a true beacon of freedom – just 16 "registered acts of censorship" even though it still loses to Iran (nine cases) and Saudi Arabia (a mere two).
So, what does "blacklist" mean in Ukraine and how does it differ–in scope and implementation–from what it means in Russia, China or Saudi Arabia? What happens to the culprits who violate the ban? Are they simply fined, imprisoned or shot? Does the ban only apply to the commercial distribution or to personal consumption as well? These questions are of no little importance – if we are to understand the situation on the ground and not merely perform sheer numerical exercises. True censorship, in repressive countries, is supported by the secret police and prison sentences. In Ukraine, so far, all of the spill-over from the notorious ban of the poor 544 Russian films has amounted to a couple of official warnings to the film distributors. It does not address consumers; the law restricts only the commercial import of blacklisted items (not only films, by the way but also some books and music). Nowhere is there any restriction on their import for personal use. On the contrary, the law stipulates that anybody may bring up to ten copies of any book, CD or DVD from Russia as a personal belonging.
This makes the notion of censorship rather questionable since the restrictive measures more resemble trade sanctions against an enemy state than a decisive attempt to curb forever the influx of the ‘subversive’ items or to effectively ban a citizen’s access to any particular information. The same ambiguity can be observed in adjacent areas: even though the Ukrainian law bans a number of Russian media and excludes them from commercial distribution (in newsstands, cable networks, etc.), it does not ban their private consumption–either via satellite antennas or VPN services, which provide access to officially blocked media outlets and social networks. The major irony of all these measures is that virtually any "subversive" idea or statement from the embargoed products can easily be found in domestic mass media, except perhaps direct calls for secession and undisguised support for separatists.
The Ukrainian authorities seem to be fully aware that restrictions cannot preclude the information flow in today’s world and moreover are not suitable for the democracy that Ukraine aspires to be. The government, therefore, adopted a two-pronged approach: complete lenience for consumers but increasingly tough restrictions on importers and distributors inasmuch as they try to profit on anti-Ukrainian products. The primary goal of the government measures seems to be not to completely block any access to "enemy propaganda," which is actually impossible, but rather to make it complex, cumbersome, and requiring special, extraordinary effort. In a sense, it resembles the official treatment of pornography in many countries: it is not banned altogether but removed to sex shops and other specific sites, so as not to be visible and accessible by default in any show window.
The ambivalent policy, however, makes the government a convenient object of criticism from opposing quarters. On the one side, human rights watchdogs lambast the government measures, with no caveats that Ukraine is de-facto in a state of war with Russia. They raise maximalist demands–fully in line with the first amendment to the U.S. Constitution – that is hardly suitable for the war-torn country. On the other side, there are national radicals who chastise the government for not undertaking sufficient measures against the enemy’s propaganda–both imported and domestically produced.
The problem, then, boils down to a number of interrelated issues. First, it runs into an old, essentially philosophical question about the limits of freedom in a liberal democracy and a complex dialectic of freedom and responsibility. It entails, secondly, the issue of a difficult trade-off between the demands for freedom and demands for security, which becomes particularly relevant during the war and evokes a broad range of historical precedents as well as today’s terrorism-related controversies. Thirdly, the question emerges whether the ongoing war is really a war rather than a "conflict"–as most international diplomats euphemistically define it–and whether it is a Russo-Ukrainian rather than a "civil" war, as the Kremlin-friendly experts insist. And finally, if it is a war, however "hybrid," and if some restrictions on enemy propaganda and subversive activities are necessary, how far should they go, how can we determine their reasonable scale and scope, and how can we keep them within the legitimate framework and prevent highly probable excesses that would encroach on citizens’ rights far beyond the security needs?
I will touch on the first two questions only in the most general way, while addressing primarily the third and the fourth, with the basic assumption that (a) unrestricted freedom of speech is highly desirable and represents, at the normative level, an absolute value; (b) no country in war or a war-like situation has ever avoided some form of restriction on freedom of speech and curtailing some civic liberties; and (c) new information technologies in the globalized world usher in new opportunities for information warfare, heavily tipping the trade-off between the demands for freedom and the need for security to the latter side.
The War That Never Was
The Russo-Ukrainian war that began in 2014 with the Russian military invasion of Crimea and eventually of Donbas, is still taking its toll, amounting to 13,000 civilian deaths, 1 1/2 million refugees, huge economic losses, and vast material destruction. Thus, on the ground, in view of this devastation and casualties, it may be of little importance whether we call it a "war" or a "conflict," to deem it "Russo-Ukrainian" or "Ukrainian-Ukrainian." Definitions, however, have strong political implications.
In Moscow’s view, the war is indisputably "civil," provoked by Ukrainian nationalists who staged in Kyiv the coup d’état against the legitimate government, established the fascist regime, and threatened the Russian speakers in the southeast with forced "Ukrainization" and political persecution. Russia played, arguably, only a peacekeeping role in all these events by protecting inhabitants of Crimea from the rabid Ukrainian fascists and providing humanitarian aid to the inhabitants of Donbas terrorized by the junta’s "punitive squads."
The Ukrainian view is the opposite: there was no coup d’état in Kyiv but rather a popular revolution, no junta but a democratically-elected government, and no threat to the Russian speakers from the new Ukrainian government that itself was predominately Russian-speaking–virtually all the Ukrainian post-Soviet elites.
Many facts support the Ukrainian interpretation of the events, so most international experts do not deny it. But for most international politicians, the adequate terminology seems unpalatable, as it challenges their comfortable position on the fence and forces them to make an essentially moral choice. It requires that sanctions be tightened against the aggressor state rather than lifted for the sake of "mutually beneficial co-operation." Nor does it allow them to remove the annoying problem ("Ukraine crisis") from the international agenda and downgrade it a domestic problem, in keeping with the Kremlin template – by granting a "special status" for its Moscow-installed and fully dependent "government."
Ukraine, like most post-Soviet states, had experienced Russian "sharp power" for years, but in 2014, the poorly disguised military aggression apparently turned it "hard," making experts employ the term "hybrid war," meaning a peculiar combination of both military and non-military tools. The term appeared to be suitable for both those who insisted that there was a "war" and for those who preferred to speak about the "conflict," but who were ready to compromise on the term inasmuch as the adjective "hybrid" seemed to make the war less real.
Experts agree today that information warfare is a major part of "special war," and that Ukraine presently is at the forefront of such a war – as "the proving ground where Russia tests the weapons and tactics of hybrid aggression which it then applies to the destabilization of the situation in the U.S. and EU countries." (2)
A Difficult Trade-off
The unconventional character of the war poses additional challenges to both the Ukrainian government and civil society. They are squeezed between two very different and hardly compatible imperatives: on one hand, there is a need for security vis-à-vis a much stronger and extremely perfidious neighbor who looks determined either to subjugate Ukraine or destroy it. On the other, most Ukrainians hold freedom fas an indisputable value (as two recent revolutions have shown) and, at least normatively, for the Ukrainian government with its stated goal "to join Europe." The difficult trade-off between the two demands is further complicated by the legal ambiguity of the "hybrid war" that does exist de-facto but not de-jure.
As a result, there are many occurrences and situations when the letter of the law and the spirit of war clash dramatically on the ground. Besides the official ban on commercial distribution of some Russian books and films, newspapers and journals, TV programs and web resources, the Ukrainian authorities have also blacklisted some Russian writers, pop stars and various kinds of "journalists" from entering the country for a few years. The reason is either their "anti-Ukrainian activity" that amounted usually to some explicit support for the annexation of Crimea and rebellion in Donbas, or their illegal trips to Crimea or Donbas from the Russian territory, without Ukraine’s consent. The latter reason is irreproachable in juridical terms since no country tolerates illegal entry into its territory by foreigners. But the notion of "anti-Ukrainian activity" predictably raises concerns and subjects Ukraine to harsh international criticism from various quarters.
Ukrainians counter that the Russian media systemically spread toxic lies and warmongering, that most people with press cards from the Russian side are "journalists" only in name, and that their activity is much more indicative of special operations than journalism. Halya Coynash, an expert from the Kharkiv Human Rights Group, acknowledges that during the war many self-regulatory mechanisms, so dear to liberal thought, fail to deliver. In particular, she contends that "the argument that deliberate propaganda can be combatted by the pluralism of views ignores the fact that in all areas under militant or direct Russian control, pluralism is banned. It also fails to recognize the undoubted impact of lies on the vast majority of people who listen to the "news" and do not run to the internet or change channels in order to critically assess the information received." (3)
The Ukrainian arguments make sense only if we recognize that there is war, that the enemy is a rogue state with enormous resources and no moral constraints, so that the very existence of the Ukrainian nation is at stake, and that information warfare is a major component of Russia’s ongoing hybrid offense. There is no appetite in the West to acknowledge the conflict as a war rather than the euphemistic "crisis," to properly grasp it as a part of a broader, systemic and coordinated assault of a rogue regime on the entire liberal democratic world. Nonetheless, the Kremlin’s reckless behavior brings back to reality even the most pacifist Westerners, seduced prematurely by the sweet notion of the end of history.
The distinctive feature of the new type of Russian propaganda is not only its internet-empowered ability to spread rapidly and multiply exponentially via social networks and all kinds of trolls ("little cyber green men," as Clint Watts shrewdly defined them). (4) It differs markedly from old-style propaganda also in its cynical and barefaced neglect of facts, evidence, and plausibility. It creates a completely new situation of "post-truth," when "Nothing Is True and Everything Is Possible."
This poses a real challenge to both democratic governments and liberal intellectuals committed to freedom of speech as one of the fundamental principles of their life and professional activity. The traditional Western belief that words should be fought with words is strongly questioned and seriously undermined. The proven meddling of Putin’s regime in democratic elections and other procedures that distorts voting results and undermines the credibility of the process is only part of the story. Worse is a popular cynicism, evoked by the interference and fostered by "post-truth" propaganda. But perhaps the greatest danger is the inflammatory propaganda aimed to provoke an immediate subversive, often violent, the reaction on the part of the recipients, as happened in Berlin with the "Lisa story," (5) or in Sloviansk with the fake news about the "crucified boy," (6) or throughout southeastern Ukraine with the calumnious narrative spread internationally about the "fascist junta" in Kyiv that allegedly persecutes Russians and Russophones.
It may sound like a nice idea–to fight words with words. But the problem is that the lie moves fast and the truth moves slowly; the lies appeal to emotions, and the truth appeals to reason; the lie provokes immediate action, the truth evokes pondering and weighed judgment. Hundreds of Germans went on the streets after the "Lisa" fake, and thousands of volunteers took up arms in Donbas and elsewhere and rushed to fight the "junta" before any truth about the "crucified boy" or "Odesa massacre" reached them.
The recipe that the experts suggest for countering the information warfare looks reasonable but hardly sufficient. They advise, in good faith, "to present rational arguments supported by real evidence to overturn myths and beliefs that are introduced by destructive powers in order to create panic and manipulate populations." (7) But, as Keir Giles aptly remarks, "by applying Western notions of the nature and importance of truth, this approach measures these campaigns by entirely the wrong criteria, and fundamentally misunderstands their objectives." Because, their primary goal is not to promote any kind of ‘truth’ but ‘to deepen partisan divisions, foster racial and religious animosities and discredit the mainstream media by planting disinformation." (8)
One more factor is important in the case of Ukraine; namely, the dual, split, and fluid identity of many citizens, which makes it vulnerable vis-à-vis a toxic enemy’s propaganda, especially if the enemy manages to skilfully weaponize the identity fractures and play them in multiple fields–history, culture, language, or religion. In this context, restrictions on the commercial distribution of some cultural and media products from the "aggressor state" and some sanctions on its most zealous propagandists seem to be reasonable and justifiable – insofar as they target only the specific state (Russia) and the specific time-span (period of war). Civil society and international watchdogs need not be concerned about these measures, but rather should focus on the limits that should not be overstepped or unduly extended. They should also be concerned about the proper procedure in the application of these restrictions and their temporary and exceptional character, so as to prevent their gradual routinization and normalization–both in people’s minds and institutional practices.
The harsh and often incompetent criticism of the government-targeted sanctions looks to be unproductive–not only because it would have no impact on government policy, inasmuch as security concerns usually prevail over others during the war; but also because such criticism undermines the position of critics (and of civil society in general) when they pressure the government in regard to issues not directly related to the national security and can and should be unequivocally solved. This relates first and foremost to government leniency vis-à-vis far-right vigilantes who attack, often violently, racial minorities and LGBT groups, intimidate opponents, and disrupt public events, which they consider ideologically inappropriate. This is the field where the coordinated efforts of Ukrainian civil society and the international community are really much needed and where they can be accepted by the majority of Ukrainians as reasonable and legitimate.
Many more problems remain to be resolved, including the uncontested control of oligarchs over the mainstream media, the highly flawed court system, and the disheartening fecklessness of law-enforcement agencies. But as long as the public space in the country remains open, the political process competitive, and media basically free and fairly pluralistic, the measured restrictions on the commercial distribution of certain Russian propaganda products for the period of the de facto war can be probably justified under the condition that they are strictly regulated by law, monitored by civil society, and questioned by watchdogs–with the clearly recognized goal to prevent any excesses, arbitrariness, and expansion beyond the defined limits.
Mykola Riabchuk, one of the founders of the journal Krytyka, is a journalist, political analyst, and literary critic. He recently stepped down as president of PEN Ukraine. An earlier version of this essay was presented at the 24th World Convention of the Association for the Study of Nationalities, on May 4, 2019, at Columbia University.
1 Art under Threat in 2016: Presenting the figures. Freemuse, 2016; https://freemuse.org/resources/art-under-threat-in-2016/art-under-threat-in-2016/
2 Yevgeny Tsybulenko and Dmitri Teperik (eds.), The Kremlin’s hybrid arsenal. Tallinn, International Centre for Defence and Security, 8 March 2019; https://icds.ee/ru/gibridnyj-arsenal-kremlja/
3 Halya Coynash, Misleading OSCE Media report ignores Russia’s annexation of Crimea. Kharkiv Human Rights Protection Group, 14 December 2016; http://khpg.org/index.php?id=1481675689
4 Clint Watts, Putin’s Hidden Insurgency Tore Up Ukraine. Now It’s Coming for Your Inbox. Daily Beast, 2 June 2017; http://www.thedailybeast.com/putins-hidden-insurgency-tore-up-ukraine-now-its-coming-for-your-inbox
5 The "Lisa case": Germany as a target of Russian disinformation. Nato Review Magazine, https://www.nato.int/docu/review/2016/Also-in-2016/lisa-case-germany-target-russian-disinformation/EN/index.htm
6 Fake: Crucifixion in Slovyansk. StopFake, 15 July 2014; https://www.stopfake.org/en/lies-crucifixion-on-channel-one/
7 Vladimir Sazonov et al. (eds.). Russian information campaign against the Ukrainian state and defence forces. Combined analysis (Tartu: Estonian National Defence College, 2015), p. 8.
8 Janusz Bugajski, For Russia, war with the US never ended – and likely never will. The Hill, 3 April 2019; https://thehill.com/opinion/national-security/437138-for-russia-war-with-the-us-never-ended-and-likely-never-will
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